The New York Times
By Timothy Egan
December 18, 2015
Timothy Egan is a New
York Times Op-Ed writer covering the environment, the American West, and
politics. Egan writes in his blog, “I will get to those uncared for
rosebushes [national and global issues] in time, one by one providing my
opinion... Perhaps even some solutions. For what is an opinion without
solutions?” (Blog para. 3) And that is exactly what
Egan offers in his recent op-ed, a response to Trump’s denials of global
warming and the Paris climate accord. Published online on 12/18 and in
print on 12/19, Egan effectively asserts to the general public the unrealized
importance of water in a world where climate change is slowly disrupting the
global balance of water.
In the beginning, the author appeals to the audience’s emotions by bringing out the beauty of nature’s water. He illustrates, “You stand in the mist and roar of Snoqualmie Falls, more than 100 feet higher than Niagara, and feel the liquid power of the Cascade Mountains crashing down… Hope is 4,000 cubic feet of water per second, going off a cliff” (para. 1). Throughout his op-ed, Egan’s repetitive use of the pronoun “you” prompts readers to consider their own beliefs about climate change. Water becomes more than just fleeting, bland liquid; water is a powerful force that could mean destruction or life.
Using testimony and statistics, Egan proves the existence of global warming and the extent to which water is part of the problem. He quotes an Enron executive, “In this century, water will be more precious than oil” (para. 2), surprising, as it comes from an oil-motivated individual. Egan also refers to the ever-expanding desert in sub-Saharan Africa, slowly rising sea levels bordering Bangladesh, and extreme drought in Syria, which is why “The Pentagon has warned of coming wars over water” (para. 6). Within the US, Egan specifies the Florida Keys standing a mere six feet above sea level (para. 9) and Lake Mead, which has fell 150 feet in the last 14 years (para. 11).
Once Egan has adequately defined the issue, he offers solutions for the audience to support and vote for in the upcoming presidential elections. The author references the largest ocean desalination plant in San Diego County (para. 13), but reminds the audience, “[we] will require something more… [We] need waterfalls like Snoqualmie, the spray in the face, renewal during the darkest days of the year” (para. 14). Egan comes full circle, returning to the image of “you” standing before the incredible nature’s water, because “you” are where change begins.
In the beginning, the author appeals to the audience’s emotions by bringing out the beauty of nature’s water. He illustrates, “You stand in the mist and roar of Snoqualmie Falls, more than 100 feet higher than Niagara, and feel the liquid power of the Cascade Mountains crashing down… Hope is 4,000 cubic feet of water per second, going off a cliff” (para. 1). Throughout his op-ed, Egan’s repetitive use of the pronoun “you” prompts readers to consider their own beliefs about climate change. Water becomes more than just fleeting, bland liquid; water is a powerful force that could mean destruction or life.
Using testimony and statistics, Egan proves the existence of global warming and the extent to which water is part of the problem. He quotes an Enron executive, “In this century, water will be more precious than oil” (para. 2), surprising, as it comes from an oil-motivated individual. Egan also refers to the ever-expanding desert in sub-Saharan Africa, slowly rising sea levels bordering Bangladesh, and extreme drought in Syria, which is why “The Pentagon has warned of coming wars over water” (para. 6). Within the US, Egan specifies the Florida Keys standing a mere six feet above sea level (para. 9) and Lake Mead, which has fell 150 feet in the last 14 years (para. 11).
Once Egan has adequately defined the issue, he offers solutions for the audience to support and vote for in the upcoming presidential elections. The author references the largest ocean desalination plant in San Diego County (para. 13), but reminds the audience, “[we] will require something more… [We] need waterfalls like Snoqualmie, the spray in the face, renewal during the darkest days of the year” (para. 14). Egan comes full circle, returning to the image of “you” standing before the incredible nature’s water, because “you” are where change begins.