Amptoons Comics
January 28, 2008
By Barry Deutsch
Barry Deutsch is the political
cartoonist behind the comic, Ampersand,
published in the Dollars and Sense
Magazine. This magazine provides
news, analyses, and reports specifically about the economy for its readership,
which consists of mostly students and professors. In Ampersand’s
January 2008 issue, Deutsch makes fun of how American nativism has always
driven people to scapegoat immigrants for economic problems. He specifically references the economic
crisis of the 1780s, the Panic of 1857, the Depression of 1920, and the
Financial Crisis of 2008. Utilizing juxtaposition
and the exaggeration of his character’s facial expressions, Deutsch appeals to
the humor of younger generations in order to successfully emphasize how
immigrants have always taken the blame for every economic recession in America.
The author divides the cartoon into four equal squares with one example of scapegoating immigrants in each square. There is a uniform structure for each example: some character criticizing the immigrants in front of some corresponding background from that year, and a smaller box with date in big bold letters. This uniformity helps show students that although decades separate each example with every square depicting a different group of people, every instance is essentially the same American citizen asserting unfounded accusations, born from nativism.
Deutsch also depicts his characters in a humorous way to generate interest from younger generations. His exaggeration of their expressions, especially with their extreme eyebrows, oddly-shaped gaping mouths, and firm positions of their hands, is how Deutsch ridicules each character, conveying the message that these people and their accusations are ridiculous.
However, there are exceptions to the above two “visual” devices Deutsch uses. Deutsch slightly breaks uniformity in the last square when instead of putting “2008”, he writes “NOW.” There is also one character who is devoid of any of the “ridiculous” aspects, and actually only appeals to the audience’s “aww” emotions; this character being the child in the last square. In doing so, the author points out that although nativism has dominated American history, there is hope in breaking this cycle because now, it is up to the younger generations, who have the choice to follow their predecessors or to make their own future and treat immigrants differently.